Shadow In The Mirror, by Deepti Menon

imagesShadow In The Mirror: A Thrilling Quest for Redemption is a book whose subtitle does not quite go with the plot. It starts with the suicide of a pregnant woman named Nita. Vinny, a journalist, who is covering the story receives a note that says Nita did not commit suicide, but was murdered.

I honestly believe this story would have been much better had the whole scene with the note been avoided. We are told in the first chapter that it was a murder, and because we know it, we identify the murderer just a few chapters later. If the reader was convinced that it was suicide throughout, and if the murder angle was revealed only at the end, the word “thrilling” in the subtitle would have been justified. In this case, there’s not so much as a twist as a blatantly obvious conclusion with regards to the identity of the murderer. There’s not a lot of redemption either – those who are mad stay mad and those who are sad stay sad. Those who are dead (thankfully) stay dead.

With that said, the most interesting character in this story overrun with too many characters is in fact the murderer. Not that she/he committed the murder, but her/his history, as revealed in the chapter set in 1962, Dark Icy Winter. That was one twist that I did not see coming, and was totally impressed with that storyline.

The language is simple, and therefore this was a breezy read.

Too breezy.

And with that, we come to the flaws: the plot is wafer thin. Too many characters running amok in the story, but almost nothing of substance. Nothing meaty. All their backstories felt rushed, and there was too much telling and absolutely no showing. Do not tell me again and again that a character has “always” been a certain way (friendly/moody/artistic/level-headed/business-minded/whathaveyou), show it to me! Given the number of characters in the book, a little more care could have been taken to turn it into a character study of sorts – jealousy, possessiveness, effect of aging etc. Alas, it was a wasted opportunity – only the murderer’s psyche was fully delved into.

Some characters added nothing to the plot, such Kavita’s maid or the whole Gautam angle.

The prose is covered with a thick layer of adjectives, adverbs, cliches, and dead idioms and metaphors. While in the beginning, every setting was described in purple, this reduced as the story progressed. There was, however, no shortage of extra adjectives. Even the cliches and idioms take away from the reading experience and you wish the style of writing could have been better.

The plot takes you from 1958 to 1994. I noticed some inconsistencies in the timelines that I can’t quite wrap my head around. If you look at the dates preceding the chapters, technically this should make sense. But if you close your eyes to the dates and read only the plot, you feel there are some things off. For example, Roma and Vinny were once classmates, so let’s assume they’re of the same age. In one chapter, Roma is said to be older than Nita: “Roma had been shrewd enough to realize the immense advantages of playing tag with a girl, who despite being slightly younger than her, would catapult her straight into the upper bracket of society.” On the other hand, towards the end, it is revealed that Vinny is younger than Nita. Also, in 1989, Roma has a teenage daughter who runs away and becomes a model – considerable amount of time should have passed between these events but there’s definitely a mismatch. And there are several instances where the story jumps in time, but the same does not translate on to the page (no extra line gaps/section breaks). One such instance is: “Vinny brought with her all the normal upheavals that a brand new baby does. . . late nights, erratic feeds, colic and the smell of vomit and Johnson’s baby powder everywhere. “Mummy!” trilled Vinny one day when she got back from kindergarten.” When did kindergarten happen out of the blue? We were talking about colic, weren’t we? You feel at times that the author’s thoughts are not being correctly conveyed through the writing.

On the whole, Shadow In The Mirror is OK. It’s not a new story, but it definitely takes a longer route to reach the usual destination. It’s fast-paced (albeit at the cost of character development) and it keeps the reader mildly curious. Read it if you want a break from heavy literature.

Goodreads | Amazon

PS: I received a PDF copy of the book from Readomania. My review is honest and unbiased.

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